Earlier this year, I caught Tempest Redux at the Odyssey — the most thrilling, imaginative and moving version of this classic I’ve ever seen [see my review, Feb. 22].
Imagine my surprise when I went to Zombie Joe’s Underground this week, and experienced a Tempest that almost rivals it.
Bear in mind that ZJU is one of this city’s smallest, most modestly equipped theatres. Its 40 seats dwarf the tiny acting space, the lighting is straight from Ace Hardware. And yet … and yet …
In the first scene, a spaceship lands in an ocean near an island. The voyagers may be lost, but we’re soon in familiar territory: Prospero gleefully watches the shipwreck , while Miranda drowsily listens. Then we meet Ariel, then Caliban, and the tale clips along its well-known track. Except that Prospero works his magic through a cyberglove, and one of the castaways is a silver-skinned android.
Director/adapter Jana Wimer has trimmed Shakespeare’s opus by more than half, to an hour, but has kept its plot and themes intact. She uses the sci-fi lightly, simply letting it signal “alien fantasy” to us as the desert island did to Elizabethan audiences. Her other changes are shrewd, too — making sycophantic Gonzalo a robot that mimics human empathy, folding Stephano and Trinculo into one, casting women in several roles … and letting us see the dark, vengeful side of Prospero (which sets up the most unorthodox change, at the end).
Wimer’s vision is ably assisted by Kenny Harder’s deft handling of the balky low-tech booth, and by Hans Fjellestad’s music and Wimer’s and Michael Maio’s evocative sound design. But the costumes (by Ashley Gallup) and the makeup (by the cast members) are stunning. Elif Savas’ Ariel and Jonica Patella’s Caliban are award-worthy — not all the Mark Taper’s resources could do better.
And then there’s the acting. Bert Emmett (Prospero) and Ernest Kearney (King Alonso), clearly stage veterans, hold down the poles — royal gravitas at one end, and privileged buffoonery at the other. Mark Dakota’s metallic Gonzalo reaches for the human with a steadfast sweetness, while Jason Britt’s clueless Trinculo falls farther and farther away from it. Emma Pauly calmly bares a sociopathic coldness as the usurper Antonio, and Vanessa Cate’s Ferdinand leaps with delightful comic relish into wooing Miranda.
But the wonders of this strange land are its aliens. Savas’ Ariel sings with ethereal beauty, but oozes an almost demonic bitterness. The sprite capers lightly, yet seems untameable, part of the chillingly amoral wilderness. Patella’s Caliban, on the other hand, is immoral — a creature of cruelty aflame with returning the favor. Half human, half awful elf, this blue mooncalf is both fearsome and funny, fawning on hapless Trinculo and wheedling him to his doom.
And with Trinculo falls a world. But you’ll have to go to the black box in NoHo to see how it all happens. It’s well worth the journey.
The Tempest, by William Shakespeare, adapted and directed by Jana Wimer.
Presented by Zombie Joe’s Underground Theatre Group, at the ZJU Theatre, 4850 N. Lankershim Blvd., North Hollywood 91601.
Fridays at 8:30,
Sundays at 7:00,
through Dec. 18 (dark Thanksgiving weekend).
Tickets: <www.zombiejoes.com> or (818) 202-4120.